Interactive fiction using demoscene and computer game aesthetics to portray a catastrophic vision of the world
Exploration of the unique confluence of literary and programming elements, exemplified by "In nihilum reverteris," a collaborative creation by Yerzmyey and Hellboj. This work transcends conventional digital genres—blending aspects of electronic literature, computer games, and demoscene creations—to produce a hybrid form that immerses the viewer in a world where familiar reality is annihilated. The paper examines how such digital works use complex interplays of narrative and code to foster new forms of creative expression. It argues that these hybrid forms, despite their rootedness in distinct aesthetic and technical traditions, offer a new immersive potential that challenges the boundaries of genre purity. This study asserts that the piece's placement within demoscene and gaming communities, rather than purely literary circles, highlights the inter-genre dialogue that is crucial for understanding and advancing digital artistic expressions.- doi
- 10.1145/3648188.3680248
- isbn
- 979-8-4007-0595-3
- name
- Interactive fiction using demoscene and computer game aesthetics to portray a catastrophic vision of the world
- source
- publisher_html_pdf
- acm_url
- https://dl.acm.org/doi/10.1145/3648188.3680248
- authors
- Krzysztof A. Ziembik
- doi_url
- https://doi.org/10.1145/3648188.3680248
- license
- © Copyright held by the owner/author(s). Publication rights licensed to ACM.
- summary
- Exploration of the unique confluence of literary and programming elements, exemplified by "In nihilum reverteris," a collaborative creation by Yerzmyey and Hellboj. This work transcends conventional digital genres—blending aspects of electronic literature, computer games, and demoscene creations—to produce a hybrid form that immerses the viewer in a world where familiar reality is annihilated. The paper examines how such digital works use complex interplays of narrative and code to foster new forms of creative expression. It argues that these hybrid forms, despite their rootedness in distinct aesthetic and technical traditions, offer a new immersive potential that challenges the boundaries of genre purity. This study asserts that the piece's placement within demoscene and gaming communities, rather than purely literary circles, highlights the inter-genre dialogue that is crucial for understanding and advancing digital artistic expressions.
- published
- 2024-09-10
- conference
- HT '24: 35th ACM Conference on Hypertext and Social Media, Poznan, Poland, September 10-13, 2024
- open_access
- true
- acm_html_url
- https://dl.acm.org/doi/full/10.1145/3648188.3680248
- displayAuthor
- Krzysztof A. Ziembik (Jagiellonian University, Poland)
- displayPublishTime
- 2024-09-10
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